Posts Tagged ‘It has a key to everywhere so it can open the doors’

The bones crumble later, and so the skeleton remains altogether, the way it was

Wednesday, January 13th, 2010

The third and last drawing staying in Hungary for now. More to come (including animation) after my return to Chicago.

Annie Heckman,  The bones crumble later, and so the skeleton remains altogether, the way it was, 2010, graphite, gouache, watercolor pencil, and oil pastel on paper, 9 x 9 inches

Annie Heckman, The bones crumble later, and so the skeleton remains altogether, the way it was, 2010, graphite, gouache, watercolor pencil, and oil pastel on paper, 9 x 9 inches

When it is 100 years old it will be exactly like a piece of wood

Tuesday, January 12th, 2010

The second drawing in a set of three, staying to be exhibited in Hungary:

Annie Heckman, When it is 100 years old it will be exactly like a piece of wood, 2010 graphite, gouache, watercolor pencil, and oil pastel on paper 9 x 9 inches

Annie Heckman, When it is 100 years old it will be exactly like a piece of wood, 2010, graphite, gouache, watercolor pencil, and oil pastel on paper, 9 x 9 inches

It has a key to everywhere, so it can open the doors

Thursday, January 7th, 2010

The first of three drawings that I’m leaving in Hungary, to be exhibited in 2010:

Annie Heckman, It has a key to everywhere, so it can open the doors, 2010 graphite, gouache, watercolor pencil, and oil pastel on paper 9 x 9 inches

Annie Heckman, It has a key to everywhere, so it can open the doors, 2010, graphite, gouache, watercolor pencil, and oil pastel on paper 9 x 9 inches

The title is a quotation from Maria Nagy’s study on children’s theories about death.